This a continuation/conclusion of a blog from a few days ago, where I re-posted some of the blogs I wrote for FISKUR’s virtual book tour. I wrote a total of eight; these are the last four. I hope you enjoy reading them.
#5 – Writer, Know Thyself
There’s a game that writers play on occasion that I’ve never been able to work up any enthusiasm for, and that’s the “Cast the Movie of Your Book” game. The game bugs me for two reasons: 1) I’m superstitious and it feels like a jinx, and 2) I don’t strongly identify any of my characters with any actual person, living or dead.
And I don’t want readers of The Gemeta Stone series to be force-fed any particular “look” for the characters, either, especially the photo-shopped models that appear (often simply as bare torsos) on so many book covers. I want my readers to have the experience of reading the characters’ descriptions and imagining those characters for themselves.
That said, there are certainly elements of family and friends that I’ve incorporated – sometimes deliberately, sometimes unwittingly – in my characters. (A fair number of them have physical characteristics in common with certain of my nieces and nephews, along with similar names.) I think it’s also safe to say that most of my characters have quirks that resemble my own, or traits I wish I had.
For example, my main character, Kristan Gemeta, values kindness above all and has tried his whole life to do what is right. It’s a theme that has always fascinated me, which may be why I find the endings of Babe and Sense & Sensibility to be so moving and satisfying. Both Babe the Pig and Elinor Dashwood struggle to do what’s right, even though “what’s right” may not be easy and actually stands in the way of their own happiness. Kristan’s innate decency is what I like best about him. His female counterpart, Heather Demitt, has a brave, impulsive nature that I envy, and it’s the thing I like best about her. Even my bad guy Daazna has a trait I admire: a ferocious desire to learn and to master new skills.
If I was to pick one character from the series who is most like me, it would probably be Ariphele, Daazna’s mother. She’s a middle-aged magic user of limited skill, a little on the lazy side, but very observant. She’s also sarcastic and has no qualms about goading her son, sometimes to incite him to greater achievements but more often just for the sheer pleasure of getting under his skin. Ariphele not only serves as a stimulus for Daazna, but she also humanizes him. She allows the reader to see him, not simply as the “bad guy” (although he can be very, very bad) but as someone with frustrations, doubts and desires just like the more heroic characters.
And that’s my main job as a writer: to create characters that are not just stock “good guys” and “bad guys,” but who are as fully-fleshed, as contradictory and as intriguing as the people who inhabit our real lives.
#6 – A Day in the Life of an Actor/Author
I think I must have been a farmer in past life. I always wake up early in the morning, no matter how late I was up the night before. This can be inconvenient because as well as being an author, I’m a professional stage actress and usually don’t get home from work until after 11 p.m. But I can’t help it – as soon as sunlight begins to creep through my window, my mind clicks into gear, even if my body doesn’t want to come with it.
If my body is super-reluctant, I’ll lie in bed for fifteen minutes or so and let my mind wander. Usually it wanders in the direction of whatever I happen to be writing, which these days is the final book in my fantasy series The Gemeta Stone. I’ll think about where I last left off, mull over plot points and listen to my characters talk in my head. When my body finally gives up and joins the party, I’ll get up and slog into the kitchen to make tea.
I drink a lot of hot tea in the morning – maybe about half a gallon. (No, I’m not kidding.) I’m picky about my tea – I don’t like tea bags – and use loose leaf Nilgiri, an Indian black tea which stands up to the milk and sweetener I take with it. While the tea is steeping, and if weather permits, I’ll step out onto my back deck and get a good whiff of the weather, then stroll around and visit my plants. If the weather’s inclement, I’ll spend some time watching the birds at my dozen or so feeders. Then it’s back to the kitchen for a big mug, and off to my little study to fire up the computer.
First comes the email. I have six different accounts – personal, writing, website, junk and even junkier junk, plus a super-secret account I only use to back up completed manuscripts and other writing. I check them all, answer what needs answering and delete the rest. There’s usually some correspondence from either my editor or my publisher, and sometimes I’ll hear from one of my agents (I have three: theatrical, film/TV and literary). Then I start about an hour’s worth of promo. I check into Facebook, post a bit and chat with friends, then head over to Twitter and spend some time participating in writer hashtag games (I’m a regular at #musemon, #meta4mon, #thurds and #51writers). For the run up to FISKUR’s release, I created a dozen or so graphics using quotes from the book, and posted one or two a week as a teaser. I’ll probably do the same for STONEKING, the third book in the series, which will release in early 2018. I don’t promote every single day because I don’t want to be one of those relentless authors who are constantly pimping their books – that’s as tiresome for my friends/followers as it is for me.
From Twitter I’ll cruise over to my favorite writers’ forum, AbsoluteWrite.com, and spend some time reading and posting there. Then I’ll go to Lumosity.com and play a few games to get my brain into high gear. By then I’ve usually drunk most of my tea, and am ready to start my day in earnest. My husband is usually afoot as well (he works from home, which is great because otherwise I’d rarely see him), so we’ll check in with each other before he heads downstairs to his office.
If I’m rehearsing a show, I’m called to the studio as early as 10 a.m., so I may have to truncate the schedule above. If I’ve got an early call, I’ll warm up in the shower, dress and head off to work. If I know I’ll have a sizable break during my rehearsal day, I’ll bring my laptop and work on my writing then – in my dressing room if I can, in the theatre lobby or a nearby coffee shop if I can’t. If the show is already in performance, I’ll write in the morning, break for lunch with my husband and then continue into the afternoon until it’s time to leave for work – unless it’s a two-show day. Then the laptop definitely comes along with me and I’ll write between shows during our dinner break. If I’m in a show where I have long breaks between entrances, I may sneak in some writing then, but most of the time I’m focused on the show. In fact, unless I’m between projects, I do very little writing in the evening.
As hectic and scattered as this may sound, I’m more productive when my time is limited. Every minute is precious then, and I don’t have the luxury of procrastination. I don’t spend a lot of time putzing around on the internet – I get right down to business. The creative atmosphere is really stimulating as well. Theatre people are generally articulate and often funny, and working with them can really get the juices flowing. It’s a crazy life, but I wouldn’t change it for the world.
#7 – Throwing Rocks at Your Main Character
“The writer’s job is to get the main character up a tree, and then once they are up there, throw rocks at them.” – Vladimir Nabokov
Old Vladimir is right. For a book to be gripping, the main character must have desires, needs and goals. Achieving those goals can’t be easy (otherwise, why tell the story?), so there must be plenty of big obstacles in the way.
I sometimes feel sorry for Kristan Gemeta, the main character in my fantasy series THE GEMETA STONE, because I’ve been abusing him for years. In fact, in an early chapter of KINGLET, the first book in the series, I literally put him up a tree and trapped him there (spoiler alert: no rocks, and eventually he got down). But that’s picayune stuff compared to what he has to go through in FISKUR, the second book, which was just released this month. It’s life-changing stuff that will scar him: emotionally, mentally and physically.
I don’t abuse Kristan just for laughs, and not just to advance the plot, either. It’s important to me, and to the story as a whole, that Kristan grow as a character. He’s a fairly straightforward young man when the reader first meets him in KINGLET – a little solemn, a little naïve maybe – and his approach to his problems reflects that. As his world gets more complicated and his obstacles more challenging, though, his mindset and his personality change. The more Kristan learns from his experiences, the more he’s changed by them, and the more complicated and nuanced his character becomes.
I think that’s what keeps him interesting, not only for the reader, but for me as the writer. Even as a child, it used to bug me when a character in a book didn’t seem to feel the effects of what happened in their lives (I mean, Nancy Drew was exactly the same from book to book, no matter what kind of adventures she experienced in the previous story). If I can always anticipate what Kristan’s going to do in a given situation, then he becomes dull.
This may be one of the reasons I don’t outline my books, or if I do, it’s a sparse, loose outline. I will start writing knowing more or less where I’m headed, but it’s never a straight road, and Kristan will occasionally surprise me by wanting to take a completely different route. And his route is always the more interesting way, so I’ll let him take the wheel. It’s the least I can do, after throwing so many rocks at him.
#8 – Searching for Inspiration
“I have learned, and been happy.” – T.H. White, The Once and Future King
There have been so many authors whose work has inspired my own, especially fantasy authors. I love Neil Gaiman, Ursula K. LeGuin, J.R.R. Tolkien and Terry Pratchett. But it’s T.H. White’s The Once and Future King that really spoke to me and made me want to write in the genre.
For the uninitiated, The Once and Future King is a retelling of the Arthurian legend, published by White in 1958 and made up of four earlier, shorter and substantially revised novels: The Sword in The Stone,The Queen of Air and Darkness, The Ill-Made Knight and The Candle in the Wind. (There’s a fifth book, The Book of Merlyn, which was published after White’s death.)
Like many people my age, I came to the book by way of the Disney cartoon The Sword in the Stone – a film I loved as a child – and the Broadway musical Camelot, which was inspired by the third and fourth parts of the book. I discovered that the original work was so much more whimsical and wistful than the movie, and far more stirring and melancholy than the musical. White’s prose is elegant, but it’s the characterizations that really make the story come alive. Arthur progresses from an innocent boy to a young warrior, to the idealistic king of Camelot, and finally, to a man beaten down by betrayal and the woes of the world. The wizard Merlyn lives backward through time, and he prepares Arthur for the trials he knows are coming by changing him into various animals so Arthur can experience their lives and use those experiences to shape his own rule when he becomes king. My own main character, Kristan Gemeta, has a similar struggle throughout The Gemeta Stone books to find a balance between power and compassion – although there’s no helpful magic-worker to show him the way. (Most of the magic-workers just baffle him.)
My copy of The Once and Future King is somewhat battered and its pages are yellowed and dog-eared. One of those dog-ears marks my favorite quote in the book – the one that starts this blog. I love it so much that I use it as my signature in emails, and I’d like to have it as my epitaph when the time comes. I can’t think of any better way to live one’s life than to spend it always learning.